![]() So … what does iStill’s HAL 9000 bring to the market? Basically this: Central Distillery Management. Again, one computer regulates the mashing procedure or fermentation. We also produce stand-alone and specialized mashers and fermenters. One computer helps check and regulate what goes on during each step of the alcohol and flavor production process. The iStills (when properly specced) can mash, ferment, and distill. And since a chain is only as strong as its weakest link, making sure that all process steps are performed to perfection is adamant. Don’t worry, our new computer won’t become self-aware or sentient any time soon, but it does have some clever and helpful tricks up it’s sleeve!ĭistilling usually is a process, involving mashing (converting starch to fermentable sugars), fermentation (turning sugars to alcohol while creating flavors), and distillation. IStill is upgrading its advanced computer systems, in order to make running your distillery easier again. You can imagine that things get pretty interesting and intense after that event takes place. In that movie, the computer, integral part of the space ship Discovery, becomes self-aware and sentient. Josh Jones is a writer and musician based in Durham, NC.HAL 9000 is the advanced computer from Arthur C Clarke’s movie “2001: A Space Odyssey”. Stanley Kubrick Explains the Mysterious Ending of 2001: A Space Odyssey in a Newly Unearthed Interview How Stanley Kubrick Made His Masterpieces: An Introduction to His Obsessive Approach to Filmmaking Universe will be added to our collection, 1,700 Free Online Courses from Top Universities.ġ966 Film Explores the Making of Kubrick’s 2001: A Space Odyssey (and Our High-Tech Future) Hear Rain’s cool, detached narration in Universe, above, and see why this extraordinary film-with the Richard Strauss-like pounding tympani of Eldon Rathburn’s score-would have inspired Kubrick to make what may rank as the most mesmerizingly cinematic, dramatically compelling, of science fiction space films to this day. Kubrick also hired Universe’s narrator, Douglas Rain, the Canadian actor who passed away this past November but who will live on indefinitely into the future as the chilling, affectless voice of the HAL 9000 computer, ancestor of Siri, Alexa, and the many voices of GPS systems everywhere. He did succeed in hiring Wally Gentleman, the special effects artist who brought Universe’s wizardry to Kubrick’s film. “After studying Universe for much of 1964,” writes Kubrick scholar Michael Benson, “early in the new year Kubrick decided to replicate the film’s techniques.” He tried to hire Low, who declined because of his work on “his own ambitious project: In the Labyrinth,” Lacey writes. The film was in black and white, not the eye-popping technicolor of Kubrick’s masterpiece, but he saw in it exactly what he would need when he began work on 2001. As the credits rolled, Kubrick studied the names of the magicians who created the images: Colin Low, Sidney Goldsmith, and Wally Gentleman. These images were not flawed by the shoddy matte work, obvious animation and poor miniatures typically found in science fiction films. Universe proved that the camera could be a telescope to the heavens. Kubrick watched the screen with rapt attention while a panorama of the galaxies swirled by, achieving the standard of dynamic visionary realism that he was looking for. Biographer Vincent Lobrutto describes the auteur’s first encounter with Universe: “Upon its release in 1960,” notes Liam Lacey at The Globe and Mail, “the National Aeronautics and Space Administration ordered 300 copies.”Īnother of the film’s admirers also happened to be Kubrick. Their short documentary, Universe, may not be much remembered now-and may have been far outshone by both real and computer-generated footage-but in 1961, it claimed a nomination at the 33rd Academy Awards for Best Documentary Short Subject.
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